That was when I was finally like, “Okay, okay. This is actually pretty great.” Whereas if you really examined it, I was hanging on by a piece of floss, right?Īnd so it wasn’t until around 2010, when sort of the trifecta of Party Down, Step Brothers, and then getting the Parks And Rec job sort of all culminated and it started to come together for real for the first time, that I was able to look back and be like, “Oh man, I have been, to various degrees, deluding myself since 1993.” There were several times before then, where things had been kind of coalescing a bit and coming together, and then it would sort of dissipate or break apart and then come back together again. I’ve got enough money to buy a round of beers with my friends. I’m doing great.” I remember in like 1996, looking around at my studio apartment and being like, “Okay. I think there’s a certain amount of self-delusion that needs to be cultivated and maintained, in order to not just throw your hands up in the air and go home.Īnd that delusion is, “Everything’s going great. The answer is a little complicated because there’s a certain amount of self-delusion that you have to maintain in order to stay in Los Angeles or New York or Chicago, wherever you’ve kind of started your acting or entertainment career. I don’t have to go home and sell insurance. When did you start to feel like, “Okay, this is going to work. In the following conversation, Scott tells us about whether he knew from the start if Severance (or the infamous dance scene) would hit, the importance of delivering a season finale that offered a few answers, the charm of Ben and Leslie on Parks And Rec, getting through those early years, and, naturally, his favorite R.E.M. A show near-universally beloved by critics and discerning viewers, with Scott’s heartbreaking dual performance atop the list of remarked upon elements. It’s the perfect weekly addiction for this post-quarantine era of ever-shifting work-from-home dynamics.
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Teaming with series creator Dan Erickson, producer/director Ben Stiller, and an amazing cast and crew, the show isn’t afraid to challenge its audience as it takes them through a twisty and complex story about grief, memory, big tech overreach, and our fraying sense of a true work/life balance. With Severance, though, Scott has taken his biggest on-screen swing. Up-next, a collaboration with Don Cheadle’s production company on a voter impression drama.
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He started a production company with his wife, Naomi Scott, producing, among other things, three Adult Swim specials that meticulously re-created ’80s TV openings. After Parks ended, he sought more dramatic roles while still making space to play a douchebag on The Good Place or talk REM, U2, and Red Hot Chilli Peppers with his friend Scott Aukerman and guests (including the bands themselves) for Earwolf. So, what do you do when the Hollywood fantasy starts to become undeniably real? For Scott, the last decade and change has been about building on his successes while chasing new challenges.
As he told us earlier this week, he was able to endure the ups and downs of a struggling actor’s life prior to those roles due to one very powerful thing: self-delusion and the idea that everything was going fine even when it wasn’t.
Severance star and prospective Emmy nominee Adam Scott didn’t really feel like he was established until a triangle of notable comedic roles came his way nearly 15 years into his career with Step Brothers, Party Down, and Parks And Rec.
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